Yin-Yan
The project was about material and we questioned the best way possible to minimise wastage and time of production hence moving a furniture design towards an industrial approach, we were able to create a furniture piece which works as a single piece but if produced twice is a replica that interlocks itself with the one another. In the process we were able to create a playful piece which can be used to sit from both sides hence it becomes more practical and engaging for the user and if kept interlocked acts as minimal sculpture in the space.
Product Design
Product Design
Know more
The project explored the relationship between material efficiency and production logic, challenging how furniture can be designed with minimal waste and streamlined manufacturing in mind. By adopting an industrial approach, the aim was to reduce both production time and material loss without compromising on form or function.
Efficient by Nature, Playful by Design
The result was a modular furniture piece designed to function individually or as a mirrored pair. When produced twice, each unit interlocks seamlessly with the other — transforming into a compact, sculptural object when not in use. Its dual-facing form allows users to sit from either side, making it both practical and playful. Whether separated or nested, the piece invites interaction while occupying space with minimal visual weight and maximum utility.
The Problem
The Problem
Designing Within Constraints of Time, Material, and Skill
This project came with multiple layered challenges. It had to be completed within a week, including the entire process of designing, prototyping, and production. The use of sustainable materials — specifically cardboard — added a critical layer of complexity, demanding minimal material wastage and maximum structural integrity.
Additionally, the project required integrating parametric design tools like Grasshopper and Rhino, which brought a steep learning curve in a limited timeframe. Balancing the technical aspects of digital modeling with hands-on material testing made this an intense but rewarding design sprint.
The Concept
The Concept
Quiet Complexity Inspired by Nature
The core idea behind the project was to create a furniture piece that felt effortless yet intriguing — an object that embraced humble minimalism on the outside, while revealing intentional complexity in form and function. Much like a fruit that appears simple in its shell but rich within, the piece was designed to blend seamlessly into a space while offering a tactile, unexpected experience.
We drew inspiration from the sphere — one of nature’s most perfect and symbolic shapes. By splitting it symmetrically, we arrived at two identical halves, connected by three key curves that defined their interaction. This spherical logic allowed the furniture to remain balanced, modular, and harmonious whether used individually or interlocked. The design intentionally avoided visual noise, relying instead on geometry, form, and interaction to speak for itself.
The Solution
The Solution
From Digital Curves to a Sculptural, Functional Object
The design journey included intensive prototyping and iteration, with three scaled versions explored before arriving at the final piece. Using Grasshopper and Rhino, we built a parametric model that allowed for precision and flexibility — essential when working with a material like cardboard, which required both strength and lightness.
Production was made possible through laser-cutting techniques, allowing us to maximize accuracy and reduce waste. The final structure not only functioned as seating from both sides, but when interlocked, transformed into a sculptural element that added visual interest to any space. Working within time and material constraints, often day and night, the result was a playful, sustainable object — one that fused digital design, craft sensibility, and a deep respect for nature’s forms.
More Works
(GQ® — 02)
©2024
More Works
(GQ® — 02)
©2024
Yin-Yan
The project was about material and we questioned the best way possible to minimise wastage and time of production hence moving a furniture design towards an industrial approach, we were able to create a furniture piece which works as a single piece but if produced twice is a replica that interlocks itself with the one another. In the process we were able to create a playful piece which can be used to sit from both sides hence it becomes more practical and engaging for the user and if kept interlocked acts as minimal sculpture in the space.
Product Design
Know more
The project explored the relationship between material efficiency and production logic, challenging how furniture can be designed with minimal waste and streamlined manufacturing in mind. By adopting an industrial approach, the aim was to reduce both production time and material loss without compromising on form or function.
Efficient by Nature, Playful by Design
The result was a modular furniture piece designed to function individually or as a mirrored pair. When produced twice, each unit interlocks seamlessly with the other — transforming into a compact, sculptural object when not in use. Its dual-facing form allows users to sit from either side, making it both practical and playful. Whether separated or nested, the piece invites interaction while occupying space with minimal visual weight and maximum utility.
The Problem
Designing Within Constraints of Time, Material, and Skill
This project came with multiple layered challenges. It had to be completed within a week, including the entire process of designing, prototyping, and production. The use of sustainable materials — specifically cardboard — added a critical layer of complexity, demanding minimal material wastage and maximum structural integrity.
Additionally, the project required integrating parametric design tools like Grasshopper and Rhino, which brought a steep learning curve in a limited timeframe. Balancing the technical aspects of digital modeling with hands-on material testing made this an intense but rewarding design sprint.
The Concept
Quiet Complexity Inspired by Nature
The core idea behind the project was to create a furniture piece that felt effortless yet intriguing — an object that embraced humble minimalism on the outside, while revealing intentional complexity in form and function. Much like a fruit that appears simple in its shell but rich within, the piece was designed to blend seamlessly into a space while offering a tactile, unexpected experience.
We drew inspiration from the sphere — one of nature’s most perfect and symbolic shapes. By splitting it symmetrically, we arrived at two identical halves, connected by three key curves that defined their interaction. This spherical logic allowed the furniture to remain balanced, modular, and harmonious whether used individually or interlocked. The design intentionally avoided visual noise, relying instead on geometry, form, and interaction to speak for itself.
The Solution
From Digital Curves to a Sculptural, Functional Object
The design journey included intensive prototyping and iteration, with three scaled versions explored before arriving at the final piece. Using Grasshopper and Rhino, we built a parametric model that allowed for precision and flexibility — essential when working with a material like cardboard, which required both strength and lightness.
Production was made possible through laser-cutting techniques, allowing us to maximize accuracy and reduce waste. The final structure not only functioned as seating from both sides, but when interlocked, transformed into a sculptural element that added visual interest to any space. Working within time and material constraints, often day and night, the result was a playful, sustainable object — one that fused digital design, craft sensibility, and a deep respect for nature’s forms.
More Works
(GQ® — 02)
©2024
Yin-Yan
The project was about material and we questioned the best way possible to minimise wastage and time of production hence moving a furniture design towards an industrial approach, we were able to create a furniture piece which works as a single piece but if produced twice is a replica that interlocks itself with the one another. In the process we were able to create a playful piece which can be used to sit from both sides hence it becomes more practical and engaging for the user and if kept interlocked acts as minimal sculpture in the space.
Product Design
Know more
The project explored the relationship between material efficiency and production logic, challenging how furniture can be designed with minimal waste and streamlined manufacturing in mind. By adopting an industrial approach, the aim was to reduce both production time and material loss without compromising on form or function.
Efficient by Nature, Playful by Design
The result was a modular furniture piece designed to function individually or as a mirrored pair. When produced twice, each unit interlocks seamlessly with the other — transforming into a compact, sculptural object when not in use. Its dual-facing form allows users to sit from either side, making it both practical and playful. Whether separated or nested, the piece invites interaction while occupying space with minimal visual weight and maximum utility.
The Problem
Designing Within Constraints of Time, Material, and Skill
This project came with multiple layered challenges. It had to be completed within a week, including the entire process of designing, prototyping, and production. The use of sustainable materials — specifically cardboard — added a critical layer of complexity, demanding minimal material wastage and maximum structural integrity.
Additionally, the project required integrating parametric design tools like Grasshopper and Rhino, which brought a steep learning curve in a limited timeframe. Balancing the technical aspects of digital modeling with hands-on material testing made this an intense but rewarding design sprint.
The Concept
Quiet Complexity Inspired by Nature
The core idea behind the project was to create a furniture piece that felt effortless yet intriguing — an object that embraced humble minimalism on the outside, while revealing intentional complexity in form and function. Much like a fruit that appears simple in its shell but rich within, the piece was designed to blend seamlessly into a space while offering a tactile, unexpected experience.
We drew inspiration from the sphere — one of nature’s most perfect and symbolic shapes. By splitting it symmetrically, we arrived at two identical halves, connected by three key curves that defined their interaction. This spherical logic allowed the furniture to remain balanced, modular, and harmonious whether used individually or interlocked. The design intentionally avoided visual noise, relying instead on geometry, form, and interaction to speak for itself.
The Solution
From Digital Curves to a Sculptural, Functional Object
The design journey included intensive prototyping and iteration, with three scaled versions explored before arriving at the final piece. Using Grasshopper and Rhino, we built a parametric model that allowed for precision and flexibility — essential when working with a material like cardboard, which required both strength and lightness.
Production was made possible through laser-cutting techniques, allowing us to maximize accuracy and reduce waste. The final structure not only functioned as seating from both sides, but when interlocked, transformed into a sculptural element that added visual interest to any space. Working within time and material constraints, often day and night, the result was a playful, sustainable object — one that fused digital design, craft sensibility, and a deep respect for nature’s forms.
More Works
©2024